THE LABYRINTH (2020) SIMON STÅLENHAG
One summer when we were young, I caught a small
snake. I carried it around in a clear plastic container
where I had placed some stones and a few fern
leaves. When I opened the container to show Matte
the snake, he promptly reached his hand in, grabbed
the snake and ran away. But he hadn’t gone further
than a few meters when he gave a panicked scream.
The snake had broken in the middle. The front part
with the head disappeared under the house and the
back part stayed writhing in a small bloody pool in
my big brother’s palm. Repulsed, he tossed it aside.
I later learned that it hadn’t been a snake at all but a
slowworm, a creature that lacks legs and that has the
ability to shed its tail. It is a defense mechanism. It is
called autotomy. The slowworm couldn’t compete
with my brother’s intelligence or strength but it
could save its life by doing something completely
unexpected and unthinkable: perform an act of vio-
lence against itself and mutilate its own body.
That was how it managed to escape.
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