The Coming War on China

The Coming War on China

John Richard Pil­ger (/ˈpɪldʒər/; born 9 Octo­ber 1939) is an Aus­tra­li­an jour­na­list, wri­ter, scho­lar, and docu­men­ta­ry filmmaker.[1] He has been main­ly based in Bri­tain sin­ce 1962. He was also once Visi­ting Pro­fes­sor at Cor­nell Uni­ver­si­ty in New York.Pilger is a strong cri­tic of Ame­ri­can, Aus­tra­li­an, and Bri­tish for­eign poli­cy, which he con­siders to be dri­ven by an impe­ria­list and colo­nia­list agen­da. Pil­ger has also cri­ti­cis­ed his nati­ve country’s tre­at­ment of Indi­ge­nous Aus­tra­li­ans. He first drew inter­na­tio­nal atten­ti­on for his reports on the Cam­bo­di­an genocide.His care­er as a docu­men­ta­ry film maker began with The Quiet Muti­ny (1970), made during one of his visits to Viet­nam, and has con­tin­ued with over 50 docu­men­ta­ries sin­ce. Other works in this form include Year Zero (1979), about the after­math of the Pol Pot regime in Cam­bo­dia, and Death of a Nati­on: The Timor Con­spi­ra­cy (1993). His many docu­men­ta­ry films on indi­ge­nous Aus­tra­li­ans include The Secret Coun­try (1985) and Uto­pia (2013). In the Bri­tish print media, Pil­ger work­ed at the Dai­ly Mir­ror from 1963 to 1986, and wro­te a regu­lar column for the New Sta­tes­man maga­zi­ne from 1991 to 2014.Pilger won Britain’s Jour­na­list of the Year Award in 1967 and 1979.[8] His docu­men­ta­ries have gai­ned awards in Bri­tain and world­wi­de inclu­ding mul­ti­ple BAFTA honours.[10] The prac­ti­ces of the main­stream media are a regu­lar sub­ject in Pilger’s writing.

https://​en​.wiki​pe​dia​.org/​w​i​k​i​/​J​o​h​n​_​P​i​l​ger

When the United Sta­tes, the world’s big­gest mili­ta­ry power, deci­ded that Chi­na, the second lar­gest eco­no­mic power, was a thre­at to its impe­ri­al domi­nan­ce, two-thirds of US naval forces were trans­fer­red to Asia and the Paci­fic. This was the ‘pivot to Asia’, announ­ced by Pre­si­dent Barack Oba­ma in 2011. Chi­na, which in the space of a gene­ra­ti­on had risen from the cha­os of Mao Zedong’s ‘Cul­tu­ral Revo­lu­ti­on’ to an eco­no­mic pro­spe­ri­ty that has seen more than 500 mil­li­on peo­p­le lifted out of pover­ty, was sud­den­ly the United States’s new enemy.

The build-up of naval forces would rein­force the US’s alre­a­dy over­whel­mingly supe­ri­or mili­ta­ry posi­ti­on in the regi­on. Sel­dom refer­red to in the Wes­tern media, 400 Ame­ri­can bases sur­round Chi­na with ships, mis­siles and tro­ops, in an arc that extends from Aus­tra­lia north through the Paci­fic to Japan, Korea and across Eura­sia to Afgha­ni­stan and India.

The Coming War on Chi­na is John Pilger’s most recent film – his 60th docu­men­ta­ry and argu­ab­ly his most pre­sci­ent. Com­ple­ted in the month Donald Trump was elec­ted US Pre­si­dent, the film inves­ti­ga­tes the manu­fac­tu­re of a ‘thre­at’ and the becko­ning of a nuclear confrontation.

The film is mark­ed in chap­ters. Chap­ter 1 is set in the remo­te Mar­shall Islands, in the Paci­fic, which the United Sta­tes took over as a United Nati­ons ‘trust ter­ri­to­ry’ in 1945 with an obli­ga­ti­on to ‘pro­tect the population’s health and well­be­ing’. From 1946 to 1958, the US explo­ded the equi­va­lent of one Hiro­shi­ma bomb every day in the islands, con­ta­mi­na­ting its peo­p­le and environment.

http://​john​pil​ger​.com/​v​i​d​e​o​s​/​t​h​e​-​c​o​m​i​n​g​-​w​a​r​-​o​n​-​c​h​ina

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